Private I
A visionary life at the intersection of art, technology, and feminism.
In Private I, Lynn Hershman Leeson â one of the most influential conceptual artists of our timeâshares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venuesâhotels, department store windows, San Quentin State Prison, and housing projectsâwhile she raised her daughter and endured long periods of poverty.
To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artistsâ lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentationâembracing film, video, AI, chatbots, touch screens, even her own DNAâto challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity.
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A visionary life at the intersection of art, technology, and feminism.
In Private I, Lynn Hershman Leeson â one of the most influential conceptual artists of our timeâshares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venuesâhotels, department store windows, San Quentin State Prison, and housing projectsâwhile she raised her daughter and endured long periods of poverty.
To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artistsâ lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentationâembracing film, video, AI, chatbots, touch screens, even her own DNAâto challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity.
