esents case studies of key works Gauguin created specifically for Fayet. She explores the parallels between the two men: their positions within (and responses to) the art market, their artistic visions, and how these shaped their personal lives. The book offers valuable insight into Gauguin’s final years and the formation of his legacy, while also highlighting the vital role Fayet played in the history of modern art and the rich artistic ecosystem that flourished in the South of France at the turn of the century.

36:T553,

A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwide

Prior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of artists from North America and Western Europe, while cultural agents from other parts of the world often found themselves on the margins. The Global Rules of Art examines how this discriminatory situation has changed in recent decades. Drawing from abundant sources—including objective indicators from more than one hundred countries, multiple institutional histories and discourses, extensive fieldwork, and interviews with artists, critics, curators, gallerists, and auction house agents—Larissa Buchholz examines the emergence of a world-spanning art field whose logics have increasingly become defined in global terms.

Deftly blending comprehensive historical analyses with illuminating case studies, The Global Rules of Art breaks new ground in its exploration of valuation and how cultural hierarchies take shape in a global context. The book’s innovative global field approach will appeal to scholars in the sociology of art, cultural and economic sociology, interdisciplinary global studies, and anyone interested in the dynamics of global art and culture.

37:T553,

A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwide<

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