Dignity of Every Human Being
âThe Dignity of Every Human Beingâ studies the vibrant New Brunswick artistic community which challenged âthe tyranny of the Group of Sevenâ with socially-engaged realism in the 1930s and 40s. Using extensive archival and documentary research, Kirk Niergarth follows the work of regional artists such as Jack Humphrey and Miller Brittain, writers such as P.K. Page, and crafts workers such as Kjeld and Erica Deichmann. The book charts the rise and fall of âsocial modernismâ in the Maritimes and the styleâs deep engagement with the social and economic issues of the Great Depression and the Popular Front.
Connecting local, national, and international cultural developments, Niergarthâs study documents the attempts of Depression-era artists to question conventional ideas about the nature of art, the social function of artists, and the institutions of Canadian culture. âThe Dignity of Every Human Beingâ records an important and previously unexplored moment in Canadian cultural history.
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âThe Dignity of Every Human Beingâ studies the vibrant New Brunswick artistic community which challenged âthe tyranny of the Group of Sevenâ with socially-engaged realism in the 1930s and 40s. Using extensive archival and documentary research, Kirk Niergarth follows the work of regional artists such as Jack Humphrey and Miller Brittain, writers such as P.K. Page, and crafts workers such as Kjeld and Erica Deichmann. The book charts the rise and fall of âsocial modernismâ in the Maritimes and the styleâs deep engagement with the social and economic issues of the Great Depression and the Popular Front.
Connecting local, national, and international cultural developments, Niergarthâs study documents the attempts of Depression-era artists to question conventional ideas about the nature of art, the social function of artists, and the institutions of Canadian culture. âThe Dignity of Every Human Beingâ records an important and previously unexplored moment in Canadian cultural history.
