
Along the Diagonal
The first book to offer an expansive view of both major figures and emerging voices in Latin American and US Latinx art
With a poetâs eye and a criticâs insight, Guggenheim Fellow and celebrated scholar Roberto Tejada brings together a dynamic collection drawn from decades of lectures, articles, cultural criticism, and catalog essays that reframe our understanding of Latin American and US Latinx art throughout the diaspora.
A landmark work from one of todayâs most vital minds in art criticism and cultural thought, Along the Diagonal moves fluidly between close readings of memoir, visual analysis, and political history to offer an expansive and deeply personal journey. Rather than defining Latinx or Latin American art as fixed categories, Tejada explores them as overlapping and diverging trajectories shaped by migration, colonization, media culture, and institutional visibility. He pushes against narÂrow conceptions of Latinx identity as well as isolated histories of Civil Rights movements to situate artists, works of art, and images in sociopolitical contexts and within a web of identity, memory, and often-contested meanings.
Opening with Celia Ălvarez Muñozâs participatory installation, A Brand New Ball Game, Tejada sets the tone for his diagonal approach: one that favors slantwise perception, speculative connection, and aesthetic risk. From there, the book spans the street-level murals of Chicano Los Angeles, the photobooks of contemporary Brazil, and the multimedia installations of Puerto Rican duo Allora & Calzadilla. Tejada draws on his personal experiences in Mexico City in the 1990s, the theory of Roger Caillois and VilĂ©m Flusser, and the activism of queer and Latinx artists to stage a rich and restless conversation about art as both a record and agent of historical change. Tejada offers sharp insights into the work of influential precursors such as Mexican muralist JosĂ© Clemente Orozco and contemporary artists Miguel Angel RĂos, Francis AlĂżs, and Allora & Calzadilla, while also amplifyÂing emerging and lesser-known voices, including Jenni(f)fer Tamayo and JesĂșs Macarena-Ăvila.
A vital contribution to the evolving conversation about Latinx and Latin American art, Along the Diagonal opens new paths for thinking about how art lives in, and helps shape, the social and political worlds we inhabit.
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The first book to offer an expansive view of both major figures and emerging voices in Latin American and US Latinx art
With a poetâs eye and a criticâs insight, Guggenheim Fellow and celebrated scholar Roberto Tejada brings together a dynamic collection drawn from decades of lectures, articles, cultural criticism, and catalog essays that reframe our understanding of Latin American and US Latinx art throughout the diaspora.
A landmark work from one of todayâs most vital minds in art criticism and cultural thought, Along the Diagonal moves fluidly between close readings of memoir, visual analysis, and political history to offer an expansive and deeply personal journey. Rather than defining Latinx or Latin American art as fixed categories, Tejada explores them as overlapping and diverging trajectories shaped by migration, colonization, media culture, and institutional visibility. He pushes against narÂrow conceptions of Latinx identity as well as isolated histories of Civil Rights movements to situate artists, works of art, and images in sociopolitical contexts and within a web of identity, memory, and often-contested meanings.
Opening with Celia Ălvarez Muñozâs participatory installation, A Brand New Ball Game, Tejada sets the tone for his diagonal approach: one that favors slantwise perception, speculative connection, and aesthetic risk. From there, the book spans the street-level murals of Chicano Los Angeles, the photobooks of contemporary Brazil, and the multimedia installations of Puerto Rican duo Allora & Calzadilla. Tejada draws on his personal experiences in Mexico City in the 1990s, the theory of Roger Caillois and VilĂ©m Flusser, and the activism of queer and Latinx artists to stage a rich and restless conversation about art as both a record and agent of historical change. Tejada offers sharp insights into the work of influential precursors such as Mexican muralist JosĂ© Clemente Orozco and contemporary artists Miguel Angel RĂos, Francis AlĂżs, and Allora & Calzadilla, while also amplifyÂing emerging and lesser-known voices, including Jenni(f)fer Tamayo and JesĂșs Macarena-Ăvila.
A vital contribution to the evolving conversation about Latinx and Latin American art, Along the Diagonal opens new paths for thinking about how art lives in, and helps shape, the social and political worlds we inhabit.



